The Latest

Jan 22, 2014 / 6 notes
gnostic-forest:

Oh It’s beautiful!
Jan 2, 2014 / 789 notes

gnostic-forest:

Oh It’s beautiful!

(via wakethewolf)

growhousegrow:

Pattern! Color!  A wall of succulents?  Yes, please.
Dec 16, 2013 / 72,227 notes

growhousegrow:

Pattern! Color!  A wall of succulents?  Yes, please.

triangletriangle:

Alexi Hobbs
Oct 23, 2013 / 747 notes
lustik:

Untitled endless cut - Jacob Dahlgren - Andrae Kaufmann Galerie
Jul 4, 2013 / 811 notes

lustik:

Untitled endless cut - Jacob Dahlgren - Andrae Kaufmann Galerie

(via dvdp)

cavetocanvas:

Robert Morris, Untitled (Corner Piece), 1964
From the Guggenheim:

Morris’s sculptures often consist of industrial or building materials such as steel, fiberglass, and plywood, and were commercially fabricated according to the artist’s specifications. The value of the “artist’s hand”—the unique gesture that defines an individual’s skill and style—was inimical to Morris, and the work of art became, in theory, not an “original” object but a representation of the idea from which it was conceived. This notion allowed for the creation and destruction of a piece when necessary; Untitled (Corner Piece), for example, can be refabricated each time it is to be exhibited.
Jun 28, 2013 / 116 notes

cavetocanvas:

Robert Morris, Untitled (Corner Piece), 1964

From the Guggenheim:

Morris’s sculptures often consist of industrial or building materials such as steel, fiberglass, and plywood, and were commercially fabricated according to the artist’s specifications. The value of the “artist’s hand”—the unique gesture that defines an individual’s skill and style—was inimical to Morris, and the work of art became, in theory, not an “original” object but a representation of the idea from which it was conceived. This notion allowed for the creation and destruction of a piece when necessary; Untitled (Corner Piece), for example, can be refabricated each time it is to be exhibited.

cavetocanvas:

Andy Goldsworthy, Ice on Ice, 1980
Jun 24, 2013 / 656 notes

cavetocanvas:

Andy Goldsworthy, Ice on Ice, 1980

cavetocanvas:

Andy Goldsworthy, Feathers plucked from dead heron / cut with sharp stone / stripped down one side / about three-and-a-half feet overall length / made over three calm days / cold mornings / frost / smell from heron becoming pungent as each day warmed up, 1982
Jun 24, 2013 / 177 notes

cavetocanvas:

Andy Goldsworthy, Feathers plucked from dead heron / cut with sharp stone / stripped down one side / about three-and-a-half feet overall length / made over three calm days / cold mornings / frost / smell from heron becoming pungent as each day warmed up, 1982

Jun 24, 2013 / 62 notes

(via dirtyweather)

Jun 24, 2013 / 6,265 notes